Hiromi Makes Golden Gate Theatre Lift Off
Hiromi Uehara and Sonicwonder turned their SFJAZZ-presented Golden Gate Theatre concert into a high-voltage night of jazz fusion, theatrical movement, and musical lift-off.
Meshell Ndegeocello’s “People’s Playlist” Drifts From Its Own Premise
A promised tribute to Bay Area radio pioneers gives way to a slow, meditative evening that finds its footing only in flashes.
Fortner and Owens Set Divergent Courses at Miner
Endea Owens’ performance centered groove as a social language, with Sullivan Fortner’s pianism sharpening the ensemble’s focus. The set balanced compositional clarity with fluid interaction, revealing a band attuned to both lineage and forward motion.
Emmet Cohen Keeps Miles and Coltrane Moving
Emmet Cohen’s sold-out SFJAZZ performance approached Miles Davis and John Coltrane’s centennial as a living tradition, balancing high-velocity interplay, atmospheric depth, and a forward-looking original suite.
Pasquale & Benjamin: An Unusual Pairing
At SFJAZZ’s Miner Auditorium, Pasquale Grasso opened with elegance and finely controlled swing, but Lakecia Benjamin’s blazing second set supplied the night’s real dramatic center. The contrast made for an intriguing double bill, even if the programming never fully found its arc.
Immanuel Wilkins’ World Premiere of “Recitations” at SFJAZZ
Immanuel Wilkins’s March 2026 SFJAZZ residency moves from conversation to premiere to performance, tracing a four-day arc that includes a listening party, the debut of his commissioned work Recitations, and intimate Joe Henderson Lab sets with special guest David Murray.
Hamilton de Holanda Trio Debut Ignites Miner Auditorium
Hamilton de Holanda made a striking SFJAZZ debut at Miner Auditorium, reframing choro through modern jazz language with a virtuosic trio performance that bridged Brazilian, African, and post-bop traditions.
Edward Simon’s “Latin Heart” Beats with the Pulse of the Present
Edward Simon expanded his trio with Chris Potter and Del Sol Quartet at Presidio Theatre, shaping Venezuelan song, new commissions, and chamber-jazz textures into a single, living narrative.
Marcus Shelby’s Orchestral Memory: Blues, Structure, and Community at SFJAZZ
On December 21, 2025, the Marcus Shelby New Orchestra brought Duke Ellington’s The Nutcracker Suite to Miner Auditorium, blending big band rigor with a deep meditation on Bay Area history and global resilience.