The Architect of Swinging Joy: Benny Green’s Living History at Miner Auditorium
In the steep, intimate amphitheater of the Robert N. Miner Auditorium, pianist Benny Green operated as a "Curator-Virtuoso." His Sunday evening solo recital was a pedagogical and emotional exhibition, synthesizing the distinct dialects of mentors Art Blakey, Ray Brown, and Oscar Peterson into a singular, exuberant voice.
The Ghost in the Machine: Mayo and Berliner Re-Embody Jazz at Miner
At SFJAZZ, Michael Mayo and Sasha Berliner didn’t just play the standards—they refracted them through a new, post-digital architecture. Read our review of the UpSwing series finale, where vocal loops and percussive vibes reshaped the jazz tradition.
Arturo Sandoval at SFJAZZ: Bebop Lessons, Cuban Fire, and the Joy of Staying Alive
At 76, Arturo Sandoval transformed SFJAZZ’s Miner Auditorium into a masterclass of Afro-Cuban rhythm and bebop history. Far from a standard holiday recital, his "Swinging Holiday" show blended virtuosity with intimate storytelling—from his black sequined sneakers to a moving tribute to Charlie Chaplin. Read the full review of a night defined by "Cuban fire" and the joy of staying alive.
Funk as a Commons: Dumpstaphunk’s Collective Groove
What if the beat were a social contract? That question lingered over a sold-out Saturday at Miner Auditorium, where Dumpstaphunk approached funk not as escapism but as a shared practice—an agreement to move, listen, and shape tension and release as a community. This thesis emerged in the music, in the crowd, and in the way bandleader Ivan Neville framed the evening: a collective body choosing the groove.