Emmet Cohen Keeps Miles and Coltrane Moving
Emmet Cohen’s sold-out SFJAZZ performance approached Miles Davis and John Coltrane’s centennial as a living tradition, balancing high-velocity interplay, atmospheric depth, and a forward-looking original suite.
At SFJAZZ, Miles Stayed in Motion
The final night of SFJAZZ’s Miles Davis centennial celebration brought the Miles Electric Band to Miner Auditorium, while a broader arc came into focus across the full four-night series. Through insights from Vince Wilburn Jr. and Keyon Harrold, the week revealed Miles Davis as an artist who kept moving toward the next sound.
SFJAZZ Recharged Miles’s Acoustic Years
Across two Saturday performances in Miner Auditorium, Eddie Henderson, Javon Jackson, Donald Harrison, Patrice Rushen, Buster Williams, and Lenny White treated Kind of Blue as living language, giving Night 3 of SFJAZZ’s Miles Davis centennial celebration its deepest historical weight and clearest spirit of musical exploration.
Sketching Miles Davis in New Colors
Night 2 of SFJAZZ’s Miles Davis centennial series shifted from argument to atmosphere, as Gil Goldstein, Keyon Harrold, and Lenny White revisited the Davis-Gil Evans songbook with orchestral color, historical feeling, and a chamber-like sense of scale.
Groove, Pivot, Repeat — Mino Cinélu’s Four for Miles
The room begins with absence—no band, no chatter—just a white gauze curtain hanging like a flag with no country. A looped rhythm creeps in from the edges, dry and sandy, like shoes on stone. Then the words land—Miles Davis on change, on refusing the safe—projected large enough to read and short enough to sting. “If anybody wants to keep creating, they have to be about change.”